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THE SCRIPTORIUM — BE OBEDIENT & BE BOLD

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Byzantine Art Project

Artworks from the great traditions of Byzantine and Eastern Christian iconography, each paired with a doctrinal reflection. The corpus surfaces GLM's confessional shape case by case as the iconography requires it — read what the picture argues.

348
ARTWORKS
10
COLLECTIONS
17
FLAGSHIPS
1,250+
YEARS
17 of 348Architecture →
COLLECTION:
ERA:
REGION:
MEDIUM:
The Four EvangelistsApostles

The Four Evangelists

586 AD (precisely dated by colophon)· Biblioteca Medicea Laurenziana
Photographic reproduction in the public domain (Wikimedia Commons; source: Syriac Patriarchate digital archive). The underlying 6th-century manuscript is in the public domain.
Joshua and the Two Spies (Joshua Roll)Christological

Joshua and the Two Spies (Joshua Roll)

Sinope GospelsChristological

Sinope Gospels

Etchmiadzin GospelsChristological

Etchmiadzin Gospels

Manuscript Leaf Showing an Illuminated Initial R with The ResurrectionChristological

Manuscript Leaf Showing an Illuminated Initial R with The Resurrection

Manuscript Leaf from a Book of Hours Showing an Illuminated Initial D and Christ Bearing the CrossChristological

Manuscript Leaf from a Book of Hours Showing an Illuminated Initial D and Christ Bearing the Cross

Vienna Dioscurides — Anicia JulianaImperial

Vienna Dioscurides — Anicia Juliana

Vienna Dioscurides (Cod. Med. gr. 1), fol. 6v — Anicia Juliana dedication miniature, c. AD 515, Österreichische Nationalbibliothek. Public domain via Wikimedia Commons.
Two Designs for Brooches in the "Byzantine" StyleLiturgical

Two Designs for Brooches in the "Byzantine" Style

Curtain Panel with Scenes of MerrymakingLiturgical

Curtain Panel with Scenes of Merrymaking

Manuscript Leaf Cutting Probably from a Missal with an Illuminated Initial S and King David Receiving the Holy Bread from Ahimelech the Priest.Liturgical

Manuscript Leaf Cutting Probably from a Missal with an Illuminated Initial S and King David Receiving the Holy Bread from Ahimelech the Priest.

Manuscript Illumination with the Assumption of the Virgin in an Initial A, from an AntiphonaryMarian

Manuscript Illumination with the Assumption of the Virgin in an Initial A, from an Antiphonary

Manuscript Illumination with the Assumption of the Virgin in an Initial G, from a GradualMarian

Manuscript Illumination with the Assumption of the Virgin in an Initial G, from a Gradual

Manuscript Leaf Cutting showing an Illuminated Initial R with St. Protasius and St. GervasiusSaints

Manuscript Leaf Cutting showing an Illuminated Initial R with St. Protasius and St. Gervasius

Manuscript Leaf Cutting from a Choir Book with an Illuminated Initial B and the Archangel MichaelSaints

Manuscript Leaf Cutting from a Choir Book with an Illuminated Initial B and the Archangel Michael

Manuscript Illumination with All Saints in an Initial V, from an AntiphonarySaints

Manuscript Illumination with All Saints in an Initial V, from an Antiphonary

Leaf from a Lectionary with St. LukeSaints

Leaf from a Lectionary with St. Luke

Leaf from a Lectionary with St. MatthewSaints

Leaf from a Lectionary with St. Matthew

Photographs sourced primarily from Wikimedia Commons and museum open-access programs (Met CC0, Walters PD/CC BY-SA, British Museum CC BY 2.5, Cleveland Museum of Art CC0, Smithsonian Open Access, Dumbarton Oaks CC0). Originals are public domain by age; photographs carry the licenses noted on each artwork. Click any card for full credit, license, and a link back to the source.

THE SCRIPTORIUM — BE OBEDIENT & BE BOLD